A selection of sights: MWF Week 1

Melbourne Writers Festival program launches tomorrow

Yes, that’s right: the Melbourne Writers Festival program will be available in your copy of the Age tomorrow morning, or online at our website. You’ll be able to stop making your dream author wishlist and start compiling a real one.

The MWF team have been working tirelessly for months to put together a sublime 2011 program. Running for 11 days, the program boasts over 300 sessions and 400 guests, including some of the most exciting, most respected and most beloved writers the world has to offer.

If you feel like even a day is too long to wait, you can already check out our Schools Program online. Tickets for the 2011 Schools Program are already available; book in to see literary superstars ranging from acclaimed fiction writer Maile Meloy to local heroes Peter Goldsworthy and Steven Amsterdam taking residence in Federation Square haunts, ACMI cinemas, ArtPlay, the Wheeler Centre and the Immigration Museum.

We’re unbelievably excited – less than a month to go until our first events. You can expect some fabulous opportunities to eat with your favourite authors, discover literary Melbourne, and discuss the future of reading and writing. Whether you love fiction, journalism, poetry, graphic novels, crime, music … and more, or all the above, we think we’ve got you covered. And stay tuned for our Keynote Events: trust me, you’ll want to be there.

Stories from every angle

So, another Melbourne Writers Festival winds to a close. It’s been that curious mixture of exhausting and energising, with heroes met and made.

Every festival organiser hopes for that magical combination of guests, which can elevate a decent hour’s chat into a wonderful interweaving of minds and ideas. My favourite panels saw this happen, particularly How Russia Changed My Life, featuring the charming Elif Batuman, intrepid memoirist Maria Tumarkin and the irrepressible historian Sheila Fitzpatrick; and From Woolf to Wolf, in which Sophie Cunningham, Monica Dux and Emily Maguire discussed Virginia Woolf, Naomi Wolf and Germaine Greer.

The festival hosted some international stars, including Joss Whedon and Norman Doidge, but often it’s the writers whose work I’m less familiar with whose stories really affect and delight me. On Sunday, at Magazine, Jake Adelstein, whose book Tokyo Vice tells of how he faced intimidation from the yakuza, read from a deleted chapter of his book – a comic tale of trailing an escaped monkey around Tokyo’s Nishi-Azabu area and being outdone in journalistic prowess by a nine-year-old boy. But only the day before, Adelstein movingly told the packed audience at Feddish about the real and dangerous cost of opposing the yakuza.

I loved the new venue, Feddish, where the Morning Fix sessions opened each festival day with a free smorgasbord of authors. But traditional venues continued to shine, including the Toff, which saw DBC Pierre settle back in a giant storytelling chair and artists including Clare Bowditch and Hannie Rayson re-enact Fleetwood Mac’s Rumours.

The parties, of course, were very good. The official opening party set the tone for a fun ten days, with the speeches including a tale of festival love and lust; and the celebration of Overland‘s 200th issue was attended by well-wishers and friends galore. A 25th birthday can never go past without at least a couple of good bashes, and at MWF’s 25th, Readings Books’ Mark Rubbo dropped by, as did Les Murray.

As a participant in the festival this year, too, I experienced many surprising and wonderful moments. During the Schools Program, I spoke with fantastic authors Gabrielle Wang, Kate Forsyth and Alice Pung; and inspiring youth leaders Chris Varney and Adam Smith. It’s so amazing to see how enthusiastic young festival-goers are about reading, books and ideas, and I have no doubt that we’ll see some of them back as guests in the future. During Kill Your Darlings‘ residency at Magazine, it was pretty wild to hear Robyn Archer sing every musical reference in her book Detritus – her live fifteen-minute snippet reel needed to be seen to be believed.

Congratulations to the fantastic festival staff and volunteers for a magnificent 2010 festival. I wish you all a good week’s sleep.

Hello again.

Hello again. Remember me? Probably not. That’s okay. It’s Estelle Tang here – remember? I blogged for the Melbourne Writers Festival last year. ESTELLE. Okay, never mind. I’m pretty sure we went over this last time. No?

I work at Oxford University Press as an editor, and in my spare time I’m the online editor at new literary/cultural journal Kill Your Darlings. I’m also on the editorial committee of new audio journal Paper Radio. Yes, I suppose it keeps me pretty busy. What’s an online editor? Um, I commission book reviews, conduct interviews with writers and publishers for the blog, and keep the website up to date … are you falling asleep? Hey, come on now.

I also write book reviews. You … want me to prove it? Okay – that’s a bit aggressive – I occasionally write reviews for Radio National’s The Book Show and The Big Issue. And my writing has been published in harvest magazine and The Emerging Writers’ Festival Reader. What? No, I’m not … I’m flattered that you … yes, I’m sure I’m not Alice Pung.

I guess they let me blog here because of my other blog, 3000 BOOKS. I started it because I wanted to start reading more, about 50 books a year or so … oh? That’s great. Speed reading is a really important skill. 3000 a year? Wow. That’s – really something. No, I really am impressed. That’s a lot of books. What’s my favourite book? I don’t really have … yours is The Odyssey in the original Greek? That’s just super. Really.

Well, I was going to say that you’ll find me hanging around the Melbourne Writers Festival blog over the next few months, but I think I’m going to go to the bar instead. No, I’m not a lawyer … never mind.

Nearly finished

Whilst Louise and her Tim-Tam-eating volunteers were spending their weekend stuffing envelopes to get Steve’s school program out in the mail today (yahoo!),  I was blockaded in my office for a marathon long weekend of plotting and planning.  And the result?  The program is stunning.  Can I say that about my own program? I think I can because the program’s strength is, of course, the writers who are taking part. And, this year more than in the past, I’ve had a gold-mine of new talent from which to choose. Fabulous young writers from Australia and elsewhere who are writing with breath-taking energy and originality. Many will be featured in this year’s festival – Steven Amsterdam, Reif Larsen, Wells Tower, Andrew Westoll, Petina Gappah and Evie Wyld are some of those bold young voices you’ll be hearing. In the last three years the MWF has seen debut authors blitz the festival’s best-seller list – Alice Pung and Nam Le both out-sold their more experienced colleagues and the festival is developing a reputation for being the best place to find new talent.

There has been a recent campaign to save Salt Publishing, a UK poetry publishing house which was started by John Kinsella and has many Australian poets on its list. The campaign “buy just one book” will save the press from its financial doom through the power of one. After you’ve bought one book from Salt turn your collective financial power to supporting debut writers. Next time you are in Readings make sure you include “just one debut author” in your take-home books. Be there at the beginning when a new career takes off. Be responsible for launching the great writers of the next generation. Get some zing into your life with the freshness of their writing. Impress your friends with your prescience and recommend a debut author as your bookclub ‘read’.  Get hooked.

Rosemary
Fesitval Director